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Showing posts with label Cockney. Show all posts
Showing posts with label Cockney. Show all posts

Wednesday, February 9, 2011

Pearlies

Sheet music from 1899 for The Coster's Mansion
featuring Coster comedian Gus Elen.
Image courtesy of Wikipedia.

London in the 19th century was an interesting place.  The streets were as dirty as any large city, and because of diseases like typhoid and cholera, which killed many people, drinking the water was not considered wise.  To quench their thirst people often bought apples from costermongers, originally street sellers who later became market sellers.  Costermongers would wander the streets with baskets of fruits and vegetables where they would eke a meager living.  They were often cheeky and colorful characters, and not all too well appreciated by the carriage trade.  Their repartee became their idiosyncrasy, and they became more flamboyant as time went on.

Costermongers could be found in London life since the eleventh century, and were originally itinerant, often chased by the authorities.  They were referred to as cockneys, initially a derogatory name.  They traded in family groups, and eventually each district elected a Coster king as a spokeman when their rights came in question.  This was in essence an early trade union of sorts.  The women were equally outspoken and something to deal with.  Their children inherited their "royal" titles.

It began to be popular among the elite to wear pearls as a fashion accessory.  In parody of this trend, some costermongers began to sew pearlized buttons, first down their trousers, then on caps and other articles of clothing.  This "flash" of buttons earned them the name of "flash boys", and made them stand out from other traders, and soon this became their trademark.

A Pearly King and Queen.
Image courtesy of Wikipedia.

Along with their cameraderie was a sense of loyalty to one another.  This was a hard scrabble life, and although they worked independently and competitively, they also looked after each other.  If one of them fell on particularly hard times, the others would chip in and organize collections to provide for them.  This habit of fundraising and being charitable became ingrained in their lives.

Photo courtesy of Flickr.

Henry Croft was born in 1862 and raised in a London orphanage.  When he was 13 he got a job to be a sweeper and rat catcher at a local market.  He apparently became fascinated with the "flash boys", and soon became friends with them.  He started collecting all the pearl buttons he could find, and sewed them on an old worn-out suit that someone threw out.  He created various patterns until the entire suit was covered.  One of the patterns were the words "All for Charity", and another was "Pity the Poor".

He found himself the center of attention, and hospitals and churches asked him to help with their fundraising events.  He continued collecting both money and goods for those in need, and returned often to provide for the orphanage he came from. As he and his costermonger friends started concentrating on charities, they became known as the "Coster Kings and Queens", then eventually the "Pearly Kings and Queens".  They all designed their own "smother suits" - smothered with pearl buttons.  Some of these can weigh over 65 pounds, but others have simpler designs and are known as "skeleton suits".  Some of the more common design elements include:

*  horseshoe = good luck
*  doves = peace
*  heart = charity
*  wheel = circle of life
* anchor = hope
*  cross = faith
*  flower pots or donkey carts = costermongers

Photo by Laura Porter.

Henry Croft became so well-known and beloved, that when he died in 1930 his funeral was filmed by Pathe' News and there were over 400 people in attendance. The charities that he had helped all chipped in and had a statue made in his honor, now on display at St. Martins in the Field.  He was estimated to have raised almost $7,000 for charities (today that would be over $317,000), a huge amount at that time.

Henry Croft's statue at St. Martin in the Fields.

Eventually there was a "Pearly" family for every borough in London, and thus the Pearly Kings and Queens endure.  They are unique in that they are a tradition from the working class.  Due to the disagreements that occur in many large groups there are now rival groups, each associated with a church in central London, and all work to raise money for London-based charities.  They are known as "Pearlies" for short.



This is an aspect of Victorian life we don't often think about, but is vital for a true understanding of the times.  It is said that history is written by the victors, and the definition of victors should include "the rich".  Here's to the everyday person's history.

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Tuesday, January 18, 2011

Daffadown Dilly

St. Mary-le-Bow Church in London, rebuilt 1671-1680,
after the Great Fire of London in 1666, to the designs
of Christopher Wren.  Image courtesy of Wikipedia.

Anyone born within hearing distance of the bells of St. Mary-le-Bow in London is considered Cockney.  The term refers to working-class Londoners and the form of English spoken by this group.  This dialect is responsible for Cockney rhyming slang, a method of making a short phrase replace a word (without using the word), rendering a sentence incomprehensible to anyone not familiar with the phrase.

It is thought that this subterfuge was invented by petty thieves, traders, and entertainers to communicate with each other in terms that the police or any eavesdroppers wouldn't understand, but that has pretty much been discredited  As more people used it, the policemen who grew up as boys in the area would've learned the phrases.  It is unknown how widespread the usage was, but it is no longer the language of the criminal and lowly element.

Image courtesy of Travel Guide London.

"Daffadown dilly" means "silly", which has been shortened to "daffy" which is commonly used today.  "Adam and Eve" means "believe", as in "Can you Adam and Eve it?"  Some phrases are abbreviated.  "Apples and pears" means "stairs", but typically only "apples" is used in speaking, as in "Just go up the apples and you'll find it."

Some phrases were intended as a joke:  "trouble and strife" for wife, for example. Some words have made it into today's commonly spoken English without a thought to their derivation:  "bread" from "bread and honey" to mean "money".  I, myself, have always used "brass tacks", thinking it came from the base of an upholstered piece.  Instead, I find, it means "facts".  The idea has spread to other English-speaking lands.  In Ireland, "flowers and frolics" means bollocks (nonsense, pronounced "bollicks" in Ireland).  "Corned beef" (pronounced "deif in Scotland) means "deaf".  In the U.S. we say "eighty-six" to mean "nothing" (nix).

Image courtesy of Wikipedia.

One problem in researching the history of this dialect, is that it was primarily spoken and so there are not a lot of written instances of its use.  Most of us think of Eliza Doolittle of My Fair Lady, or Bert, the chimney sweep in Mary Poppins that Dick Van Dyke played when we think of a Cockney.  A true part of those performances is the unaspirated "h" sound ("aitch"), which is indicative of the Cockney dialect.

Cockney is a living language and phrases are added all the time.  Many of the new terms have to do with the latest celebrities, i.e. "Britney Spears" for "stairs".  Some follow using words or terms, such as "ace of spades" for "Aids".  "Dog and bone" is the phrase for "phone".


English speakers, like speakers of all languages, enjoy rhyming.  Cockney rhyming slang has great appeal, especially with its murky beginnings.  It makes us want to use our loafs and take another butcher's at the English language.

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Note:  "loaf" = "load of bread" = "head"
                     "butcher's" = "butcher's hook" = "look"

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