WELCOME TO CEREBRAL BOINKFEST!

WELCOME TO CEREBRAL BOINKFEST!

A blog about the arts, books, flora and fauna, vittles, and whatever comes to mind!

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Showing posts with label MUSA. Show all posts
Showing posts with label MUSA. Show all posts

Thursday, November 3, 2011

Day-O, Day-O



GMOs - genetically modified organisms (foods that have been altered by humans for reasons other than health or nourishment) - are gaining attention as issues of health risks remain unanswered, yet more and more crops are being grown as such, particularly corn and soy.  Yet it turns out we've been eating a GMO food for centuries, although they only became popular, and affordable, in the last century or so.  Further, the companies that made them available and affordable were monopolistic and vertically integrated (controlling the growing, processing, shipping, and marketing) and manipulated ways to build enclave economies (self-sufficient, pretty much tax-exempt, and contributing little to the general economy). Think Dole, Chiquita - the equivalent in agriculture to the 1% OWS protests against.

A plantain, red banana, Latundan banana, and Cavendish banana.

If you haven't guessed by now, we're talking bananas.  This now ubiquitous fruit is actually a giant herb - the largest flowering herb, which can get as tall as trees. They are one of 3 genera in the Musaceae family, which includes plantains.  They have no trunks, just long-stemmed leaves which grow from corms, swollen plant stems similar to bulbs and tubers.  Fiber is a by-product of the plants.

A banana corm.

Besides humans, various moths and butterflies consume them, as a number of the species are edible.  Edible bananas have a complex history of hybridization, mutation, and selection.  Most bananas are parthenocarpic, or seedless, and therefore are sterile.  Banana botany is difficult to label with Linnean tags, so cultivar names are given instead (a cultivar is a plant whose characteristics are maintained by propagation).

A "Banana Moth" adult and larval case, so named because it feeds on bananas.

Bananas come in a variety of sizes and colors.  The word "banana" refers to the soft sweet fruit that is generally eaten raw, both popularly and commercially.
Plantains are larger, firmer fruits that require cooking.  It is unclear where the word comes from, but two options are from the Arabic "banan", meaning finger, or "banaana" from the African language Wolof, spoken in Senegal, Gambia, and Mauretania.  The name of the genus - musa - comes from the Arabic word for fruit, "mauz", which is also the same in Persian and Turkish.


Southeast Asian farmers were the first to domesticate bananas.  Archaeological evidence from Papua, New Guinea indicates that cultivation goes back at least 5,000 years, possibly even 8,000 years.  Researchers think it may have developed simultaneously in different areas of Southeast Asia because of the diversity of types.  Africa also has evidence of cultivation but there is debate about when it started.  When Madagascar was colonized by Southeast Asian groups circa 400 CE, linguistic evidence reveals that bananas were introduced.  Bananas also were grown in various parts of the Middle East.  From there they eventually went to Muslim Iberia.

The largest of herbs - banana plants.

They were brought to the Americas by Portuguese sailors.  In the 15th and 16th centuries, Portuguese colonists developed plantations for growing bananas in the New World.  They were not a profitable commodity until the introduction of steamships, railroads, and refrigeration.  Most bananas today are cultivated for local markets, India being the leader in this kind of production.  Production for the world market is centered in the Caribbean.  The cultivar that is most important on the world market is the Cavendish banana, which replaced the Gros Michel banana that now has limited availability due to a fungal disease.  The Cavendish today is similiarly threatened.  The Cavendish was chosen for mass production because of its shelf life and ease in transportation, rather than its taste.

Cavendish bananas.  Image courtesy of Steve Hopkins/Wikipedia.

Each banana is composed of 75% water.  They are very high in potassium which makes them slightly radioactive.  In fact, scientists refer to a "banana equivalent dose" when attempting to mitigate nuclear danger.  Wild bananas have many large, hard seeds, that are inedible.  The Cavendish has little dark spots in lieu of seeds.

A wild or "untamed" banana with seeds.

The banana plant has a "heart" where the fruits develop, known as an inflorescence.  This is a cluster of flowers on a stem.  The female flowers turn into fruit, which hang in cluster of around twenty called tiers.  Three to twenty tiers are known as a banana stem, and can weigh anywhere from 60 to 110 pounds.  What is commonly referred to as a bunch is a cluster of three to ten fruits.  Bananas grow pointing up, not hanging down.

A partially open inflorescence.

Bananas for the world market are picked green and ripened in special rooms once they reach their destination country.  These ripening rooms are filled with ethylene gas, which gives them their characteristic yellow color.  They are refrigerated during transport at around 58 degrees Fahrenheit.  Tree-ripened bananas are greenish-yellow that slightly brown as they ripen.  Their taste is superior, but the shelf life is only 7-10 days.  Ripe bananas fluoresce when they are exposed to ultraviolet light, but not green ones.  This leads scientists to believe that critters who can see ultraviolet light, such as some butterflies and birds, can easily find ripe bananas.


How bananas look under ultraviolet light (right).

Bananas are a staple for some cultures.  Depending on the cultivar, they can be sweet or starchy, and both skin and inner part can be eaten raw or cooked. Plantains are used in stews and curries, often like we use potatoes, even mashed or baked.  The banana hearts, or flowers, are considered a vegetable in some South and Southeast Asian cuisines.  The flavor is said to resemble an artichoke, and like an artichoke the fleshy part of the leaves and the heart are edible.  Banana leaves are often used as ecological "plates" or wrappings for food.

Banana flowers.

Bananas have become a regular part of the U.S. diet, and it's hard to imagine breakfast, for me at least, without them.  Hopefully the disease that is threatening the Cavendish will be halted or controlled before it goes the way of the Gros Michel, and it will remain a staple in our diets.

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Images courtesy of Wikipedia.
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Monday, January 24, 2011

What Lies Beneath...

La Evolución Silenciosa (The Silent Evolution).  One of four sculptural
installations by artist Jason deCaries Taylor.

In 2009, the National Marine Park of Yucatan, Mexico, became the site of a monumental (literally) underwater museum called MUSA (Museo Subacuático de Arte).  The project, a joint effort of Jaime Gonzalez Cano of the Park, Roberto Diaz of The Cancun Nautical Association, and sculptor Jason deCaires Taylor, is one of the largest artificial underwater attractions in the world.  The Marine Park attracts approximately 750,000 visitors a year, which puts a lot of strain on the natural resources there.  It is hoped that the project, which provides an unusual artificial reef, will give the natural reefs a break and allow them to regenerate. 

The National Marine Park of Isla Mujeres, Punta Canyon
and  Punta Nizuc in the northern state of Quintana Roo.
The sculptures are within the boundaries of the Park
on sandy areas of substrate close to these areas.
There are four installations.  The first one is La Evolución Silenciosa (The Silent Evolution), a collection of 400 life-size figures that depict the visual and social changes of humanity over the past centuries.  The casts were taken from a broad cross-section of humankind, although mostly Mexican.  All occupations of life are covered:  a fisherman, yoga instructor, student, carpenter, and an accountant, among many others.  This is a gathering of people whose appearance will change over time as coral grows and marine life fills in the spaces. 



Visitors can swim around the sculptures and observe them.  For those visitors that prefer not to dive, there are glass-bottomed boats available.  The sculptures are 9 meters (about 29-1/2 feet) below the surface.  There is no fee to enter the Marine Park, but visitors are advised to use a tour guide.

El Coleccionista de los Sueños Perdidos (The Archive of Lost Dreams) is another of the installations.  This unusual depiction is of a male archivist who tends the archives of messages in bottles.  According to the artist the archivist is cataloging and sorting the bottles into categories:  fear, hope, loss, or belonging.  Communities from a wide variety of cultural, ethnic, and religious backgrounds were invited to provide the messages in an attempt to document their values and hopes for future generations.


The third installation is Hombre en Llamas (Man on Fire), a lone defiant man standing upright with 75 holes planted with live cuttings of fire coral (Millepora alcicorni).  This brown, yellow, and orange coral stings when touched, hence its name.  The intent is that once the figure is covered in this coral it will make the man appear to be on fire.  This statue weighs over one ton, and was cast from a local fisherman.
The last of the current installations is called La Jardinera de la Esperanza (The Gardener of Hope).  This young girl is lying on patio steps propagating pots with live coral cuttings that were placed in them.  These coral cuttings, like the ones on Man on Fire, were rescued from reefs where they were damaged by people and weather activity.  By providing a new substrate, the coral can be conserved.


Further installations are planned in the area.  The plans for this year include commissioning artists, local and international, to contribute their work.  Also underwater cultural events are planned to celebrate both science and the arts.

This is not the first time Jason deCaires Taylor has worked underwater.  He also has 65 sculptures in another National Marine Park in Mollinere Bay in Grenada. There was considerable damage from Hurricane Ivan in 2004.  Then in 2005,  Hurricane Emily added to the damage of the area.  The sculptures have provided a new base for marine life and by attracting visitors give the natural reefs a chance to recuperate.  He also has other small-scale underwater sculptures in Great Britain, which can be seen on his website.

This is an interesting concept and solution to saving the coral reefs.  Time will tell how effective it will be, but in the meantime it's a chance to experience art and nature together.  Is the man a genius or crazy? And is there a difference?  

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All Images courtesy of Jason deCaires Taylor from his website.
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